Mapping Indigenous Content & Developing Critical Identity Awareness

A few weeks ago I received a request from a school to come and speak about where, when, and how specific pieces of Indigenous content should be taught throughout the entirety of their school, and what competencies and student dispositions should be developed along the way. 

Based on my coach training with Tammy Neilson at Creating Realities, and my knowledge of Collective Wisdom theory, I developed and facilitated a mapping exercise with the staff, that helped us see what was already happening in the school, and think through what next steps might look like based on their strengths and supports. 

I left that room energized and excited about the work being done at this school and I wanted to share two quick things which I took from this experience:

(1) If you as a teacher/administrator/staff team feel lost on when to teach what and where and by whom, you are not alone. Even teachers who have been doing strong and non-appropriative learning and teaching in this area for years are often left wondering where to go next. 

 

If you take a step back and look at the Ontario curriculum, Indigenous content is included in bits and pieces throughout the grades, with little intentional effort to create a coherent and comprehensive understanding of historic or contemporary Indigenous communities.

 

(2) While Indigenous voices need to be centered in our curriculum, this work is not just about learning about Indigenous peoples, their communities and perspectives. The Truth and Reconciliation Commission's Call to Action 63 iii states that the Council of Ministers of Education, Canada should focus on (among other things) "Building student capacity for intercultural understanding, empathy, and mutual respect" and this work also needs to be done in the classroom.

For me, as an educator, and guest on Turtle Island, this means understanding the full story of colonization on this land, and how my own story intersects with it. 

 

As I learn my own story, I realize the importance of working with my students to uncover their stories, and how they relate to this history and present as well. Learning about the racist and oppressive policies in the Indian Act for instance, has helped my students and I dig beyond the veneer of Canada as a peaceful equal-opportunity country.

 

We have developed a deeper level of understanding as we compare and contrast what our ancestors were lawfully welcome to do while living in Canada, at the same time that "Indian" lives were monitored, restricted, punished, and oppressed for the exact same actions. 

I left the mapping session impressed both by the amount teaching the staff at the school had already committed to about Indigenous histories and contemporary communities, their vision for what will come next, and their commitment to ensuring that when students leave their school, they will do so with a critical awareness of their identity and the history and present of colonization in Canada. 

 

Interview with High School Teacher Laryssa Gorecki

 

Click here to download my interview with Laryssa! 

 

This month I conducted my first interview with Laryssa Gorecki, an English teacher at James Cardinal McGuigan Catholic High School in Toronto. She's been incorporating Indigenous content into her classroom in the West end of the city, and finding that her students from all different backgrounds have points of connection to the material.
 

Laryssa speaks to us about her unit, and addresses questions any teacher might have, including navigating her role as a relatively new learner in this area.

What does Laryssa teach?


The unit on Truth and Reconciliation examined the implications of using arts-based activities, including music, drama, and picture books, as a means to build student capacity for intercultural understanding, empathy, and mutual respect. Through an aesthetic approach, students actively engaged with the themes found in various artwork, songs, and narratives by Indigenous authors and artists. The unit culminated with a project expressing cognitive and aesthetic growth in our student community.

Resources Laryssa uses:

Students created final projects which displayed their learning in the unit. 

Students created final projects which displayed their learning in the unit. 

 

 

If you have feedback or questions for Laryssa, you can contact her via email or follow her on twitter @laryssagorecki1

The Highlight Reel - April 2017

Instead of looking at one issue in-depth, I decided to include news and events this month that caught my eye, and could be of use in your teaching! 

INDIGENOUS FOOD WAYS


In the Globe and Mail, food historian Dr. Ian Mosby published an article, "We are what we ate: Canada's history in cuisines" which begins and ends with a look at First Nations staples, and notably, how they are tied to Canadian colonial tactics and reconciliation. Dr. Mosby is known in part for his work confirming that nutrition experiments were conducted on the children in Residential Schools


RICHARD WAGAMESE


On March 10, celebrated author Richard Wagamese (Ojibway, Wabaseemoong First Nation, Treaty Three) passed away. 

INDIGENOUS MUSIC

A Tribe Called Red, Tanya Tagaq, and the Black Bear Singers opened the Juno awards on April 2, with one of the most exciting performances that night. A Tribe Called Red are known for their "electric pow wow" style and Tagaq (Inuit - Iqaluktuutiaq/Cambridge Bay) has won the Polaris Prize for her music which features her throat singing. The performance brings metaphor and political statement together, and blends traditional and contemporary styles. 

The Moccasin Project

If you are looking for ideas to get your class involved in some hands-on learning about colonialism and racism, check out the Moccasin Project which is raising awareness about the high apprehension rates of Indigenous children in Canada (with a particular focus on Manitoba).

To read about the work they have done in classrooms in Ontario click here or learn about how you can get your classroom involved!